I’ve been chasing shots since I was 12—filming stop-motion battles with action figures while other kids played outside.

Directing isn’t a job to me—it’s how I see the world. I’m obsessed with finding the emotional spine of every scene, capturing moments that

feel like memory, and pulling raw truth out of performance. Whether I’m on a scrappy indie or a branded set, I bring the same focus: tell the story like it matters—because it always does.

I’ve directed everything from national campaigns to intimate character pieces. But at the end of the day, if the audience

feels it, I did my job.